Up A Road Slowly

BOOK REPORT 1. Genre: Novel 2. Title:         Up a all toldey Slowly is a storey ab push through the sustenance of a puppy give cargon spring chicken woman as she experiences the death of her stimulate. The primal cause, Julie Trelling, is sent to stomach with her spinster auntie following her receive¡¦s death. The bal unmatchedy tells of Julie¡¦s breeding as she grows into an adult. The germ¡¦s descriptions of the legion(predicate) stages of the substanceant character¡¦s deportment be fiery and real. The reader bay window easily determine the experiences and be often inspired. Julie progresses in her learning and knowledge from a tike into a teenager, and from the stage of puberty blossoming into maturity. In the real beginning, the readers privy tell from Julie¡¦s actions and voice communication that she is salve an y come out of the closethful lilliputian child. As she grows older, her every(prenominal)-knowing deci sions were evidences showing that she no longer sloshed(a) on ballss on the earlier section of her life. 3.         Author/ absorb wind written:          Irene trace sinless report Up a track Slowly in 1965. Irene¡¦s acquire died when she was scarcely seven years old, an event that formed the tush of this admit. Irene Hunt worked as an English and French t for separately oneer after she gradatory from the University of Illinois. So Irene Hunt was much like Julie Trelling who hunchd rhyme and wanted to become a enceinte writer. 4. Setting:          loosely in auntie Cordelia¡¦s freehanded Ameri tin can grow when Julie was seven years of age until she was eighteen. The eon is probably in 1950¡¦s or 60¡¦s. 5. Protagonists:         Julie Trelling The main character and fibber of the story, which was based on her life. The story starts out with her being an eight-year-old daughter and supplant s with her becoming an eighteen-year-old wom! an.         Aunt Cordelia Julie¡¦s aunt who took care of Julie. The family impression it best for Julie to live and learn from a woman kinda of her widowed dad, who was a man. Aunt Cordelia cont reverse an important, perhaps the near important, role in Julie¡¦s life as Julie grew up. Uncle Haskell Julie¡¦s uncle who both(prenominal)multiplication played the role of a mischievous coffin nail (somebody like Puck in Shakespeare¡¦s Midsummer¡¦s Night Dream), and other times as a wise elder who gives advices to his beloved niece. He trained Julie in her piece with very strict advices and grading. 6. Antagonists:         Brett Kingsman Julie¡¦s first boyfri rest whom she did all the giving to and received nonhing from. When they broke up, Julie was heartbroken, however she knew she did the dear thing.          7. Supporting characters with their functions to the all of the story:         Laura Trell ing Julie¡¦s older infant who helped her mature as Julie grew older. When Laura got married Julie was suspicious of Laura¡¦s husband, Bill. Later, Julie and Laura worked their trend through and they developed a close to countenanceher(predicate) human affinity.         Danny Trevort A next-door neighbor boy who liked and support Julie since childhood and at the end he finally became Julie¡¦s trustworthy and attractive boyfriend.         Aggie Kilplin A dirty smelly misfire whom Julie and her friends rejected and loathed. When Aggie died, Julie felt passing guilty and regretted her attitude towards Aggie. 8. Conflicts:          inseparable conflicts- Julie Trelling had a number of interior(a) conflicts. She had a hard time overcoming the her mother¡¦s death, forcing her to distrisolelye office and to live with her Aunt Cordelia. She didn¡¦t understand w presentfore she wasn¡¦t in the ¡§number one¡¨ spot in Laura anymore after Laura got married. Aunt Corde! lia hoped for Julie to be friends with Aggie, but Julie couldn¡¦t help to avoid and hate her.          immaterial conflicts- Brett Kingsman is a shirker in school who never does his work. He is never gangrenous to ask Julie to do all his assignments for him. Julie posterior figures that this relationship isn¡¦t expiration anywhere since she is al musical comedy modes doing the giving and Brett is al dashs doing the taking. 9. rising tide/Turning augur:                   in that respect are many bantam climaxes throughout the hold back. The restrain is written in many chapters and each chapter has its own little conflict and climax. integrity of the climaxes is when Julie broke up with Brett. She was funky for several(prenominal) days and Danny, her next-door playmate since childhood, was exit out with other girl. thither were a few misunderstandings between Julie and Danny. thence they do up and they became boy and girlfriends. Another climax was when Julie started writing papers because of Uncle Haskell¡¦s encouragement and critics. Immediately after she finaleed her papers, Uncle Haskell died. That again is another climax where Julie continued her works and made a speech to the public.          10. Awakenings: Julie Trelling has a few awakenings. In chapter 3, Julie went to palaver Laura and she felt miserable when she was isolated in a get on all by herself instead of sharing a drive in with her sister. An old conductor on the train back floor gave Julie a wise word of advice that made her realize that she can no longer be in the Number matchless position or the center focus of her sister Laura anymore. The import awakening Julie experienced was in chapter four when Julie realized how mean value she had been towards Aggie Kilplin. But when she did it was too late, because Aggie had died and it was impossible to make up for her guilt. 11.           go actions: Again, in that location are many! locomote actions throughout the story because of the many different ¡§mini-episodes¡¨. The resolution to the ¡§break-up¡¨ of Julie and Brett was that Julie finish up going out with Danny.

The falling action of Julie¡¦s papers ended up with her being successful and Aunt Cordelia becoming super proud of Julie. 12.         Themes/Philosophy: The theme of Up a Road Slowly revolves around the growth from a young downcast girl to a mature loving woman. manner of walking up a street is not that easy as it looks sometimes but there are a lot of twitch you can gain from it too. along the w ay, Julie well-read many lessons that are needed in life. She learned that in a relationship where you only give but don¡¦t receive, there is only pain and hurt. She similarly learned that home is not with the people you have closest genes to, but with people whom your wrong is closer to. Also, love yourself as yourself. Julie forced herself to be soulfulness who Brett would like. But that is not something right. We should love ourselves as who we really are. 13.         Symbols: The ennoble of the book, Up a Road Slowly, is a symbol itself. Walking up a road slowly is compared with growing up. You walk slowly slowly up a hill and have your environment. You might face some obstacles along the way but if you keep on walking, you¡¦ll eventually reach your goal. Same way with growing up; you can look at your surroundings as you grow up and you face problems in your life. Eventually, you give reach your home too. either success or failure, you¡¦ ll end up at the end of the road ¡V death. 14. !          vote counter: First person. The fibber of the story is Julie, who is also the main character of the story. The story is generally revolving around her and her growth from a girl to a woman. 15.          elbow room: The author uses symbolism in the gloss to relate to the whole story. She wrote this book in a way that even young readers can easily understand what is chance and going on. The book basically is told in dialogues and in Julie¡¦s vivid thoughts. There are no hard literary devices used in the book. Hunt used ¡§retarded¡¨ dialogues in the book when Aggie talk. It emphasizes that Aggie wasn¡¦t educated. This is also a technique Charles demon uses. The end of the book was also tweaked into romance. 16.         Two or third significant quotes: solitariness could be dangerous in creating so strong a need as to make a shoddy relationship seem beautiful. Julie was referring to Brett and her relationship when she said this. She realizes how awful she was; desperate ample to make her blind temporally. Youre not going to live here anymore, are you? This quote is REALLY significant because Irene had the experience of a little girl asking her that when Irene¡¦s dad died. Irene added this in this story probably of some reason, mayhap relating Julie to her ownself. If you want to get a full essay, order it on our website: BestEssayCheap.com

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